![]() ![]() The conceptual foundation is too robust, corrupting the most innocent of settings with the darkest of crimes. And although the twist has long lost its shock appeal, the story itself doesn’t feel especially dated. It is one of the most thematically rich, visually scarring horror films ever made. Spawning three sequels and the highly successful Bates Motel, this classic horror story also birthed the entire slasher genre. As usual, this segment has a moronic ending.The sheer reputation of this film speaks for itself, pervading the collective even among those who haven’t seen it. I thought amateurish portrayal of perverted families was the province of semi-pro Florida pornographers (Blazed Studios or JW Ties), but producer Bree Mills has invaded their turf. It's sort of porno Theater of the Absurd, with overacting fitting the stupid material. It's faux incest on steroids, as stepson Nathan Bronson and stepdaughter Evelyn Claire compete for the XXX affection of mama Chanel Preston. Supporting segment, "Dibs on Mom", is directed by Joanna Angel in her fake comic book fashion, ridiculously silly in presenting "naughty" sex. Resulting threesome is ridiculous, as female version of a cuckold is forced to watch the couple have sex and then join in herself. ![]() ![]() When she finally catches Ryan and the jail-bait cutie humping away in bed it turns out to be mere seduction, not a conspiracy to drive her crazy. Unfortunately, instead of thrills we get Krissy Lynn (styled as a brunette) overacting her paranoia as she imagines hubby Ryan Driller and their new babysitter Chloe Temple plotting against her. Title vignette from the "Pure Taboo" suggests Hitchcock but instead borrows from the classic "Gaslight" for subject matter. ![]()
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